ArtPadSF at the Phoenix Hotel, room 43. Show closes May 19th at 5pm
ArtPadSF at the Phoenix Hotel, room 43. Show closes May 19th at 5pm
“Transitions” By Chad Muska At New Image Art- New Image Art is pleased to announce “Transitions,” the first solo show from professional skateboarder, designer, and artist, Chad Muska. “Transitions” opens at New Image Art on Saturday 06/01/13. Chad Muska comes from a long tradition of professional skateboard artists (Mark Gonzales, Ed Templeton, Chris Johanson, Natas Kaupas, and Neil Blender, among others) who have devoted their lives, both on and off the board, to a journey of creativity and discovery. The title of Chad’s first show, “Transitions,” is a word that not only stems from the curved surfaces skateboarders ride on in pools, parks, and ramps, but it’s also a reference to the skateboard lifestyle which is defined by movement from place to place, and from one state of mind to the next. “The show represents a lot to me,” Chad said. “It’s about the struggles I’ve been going through in life and what’s next after being a pro skater, something that I’ve done my whole life. Transition is a universal idea that everyone can relate to whether you skate or not, but it’s strongly connected to the roots of skateboarding which is about bending the world to your will and making it ridable—a world without transition is a world that is dull and flat.” It’s almost as cliché as the “roller skates nailed to the bottom of a 2x4” story (which somehow manages to come up whenever someone who doesn’t skate tries to talk about skateboarding), but skateboarders do indeed see the world differently than non-skaters and they’re able to turn a mundane urban setting into a playground of epic proportions—a wheelchair access ramp can launch a skater into a flight, a simple red curb can offer hours of fun, and a 12-stair hand railing becomes one of the most famous skate spots in the world—the urban environment is, in short, the stage for the art of skateboarding. So it’s no wonder that the works in “Transitions” offer a similar dismantling and re-appropriation of the “concrete jungle.” Chad’s new style appears at first to be a huge departure from the graffiti and wheat paste art he’s been known for in skateboarding for years. These new minimal pieces are heavy and stark, constructed from steel, concrete, and other industrial materials, and contain elements that are redolent of Mark Rothko, Richard Serra, and Anselm Keifer. They’re serious, yet they retain a playfulness that speaks directly to the mind of a skateboarder—there’s a movement and a work-in-progress element throughout the show that echoes the spirit of skateboarding which has always been a lifestyle devoted to the journey, not the destination. “Skateboarders, look at metal and concrete already as objects of artistic expression,” Chad said. “It’s like a canvas. And now the mediums that I’m using are metal and concrete. It’s so funny, but that’s why I think I’m attracted to these materials: because I’ve spent my entire life looking at the concrete sidewalk that I’m riding down.” The opening reception for “Transitions” is at New Image Art on Saturday 06/01/13 and runs until 06/22/13
+upcoming exhibit at new image art CHAD MUSKA Opening Reception June 1, 2013 Saturday, 7pm - 10pm
Our May 16th opening night preview benefits the SFMOMA SECA Art Award exhibition with an evening of public programming in partnership with the museum. Since 1967, SFMOMA and its art interest group Society for the Encouragement of Contemporary Art Award program (SECA) has honored more than 70 Bay Area artists including D-L Alvarez, Tauba Auerbach, Kota Ezawa, Colter Jacobsen, Chris Johanson, Barry McGee, Mitzi Pederson, and Laurie Reid, among many others with this biennial award. ArtPadSF has partnered with SECA to support this important award program. This September the exhibition will feature off-site commissions by awardees Zarouhie Abdalian, Josh Faught, Jonn Herschend, and David Wilson. To learn more about the award program and SECA membership, visit SECA’s webpage.
Also on opening night BAM/PFA (UC Berkeley Art Museum and Pacific Film Archive) presents an outdoor video installation by Bay Area-based artist Andrew Benson, programmed by BAM/PFA curator Steve Seid.
Purchasing an Opening Night SFMOMA SECA Art Award VIP Preview Ticket* automatically makes the ticket holder an ArtPadSF VIP. Opening Night Tickets on Sale (click here to purchase tickets for opening night).
* VIP Preview // 6:00 - 8:00 pm portion only
6:00PM - 8:00PM // SFMOMA SECA Art Award Opening Night Benefit VIP Preview
General admission for all three days of ArtPadSF: Friday, May 17 // Saturday, May 18 // Sunday, May 19
General admission for any one of the following dates of ArtPadSF: Friday, May 17 // Saturday, May 18 // Sunday, May 19
Hours of Operation
8:00PM - 10:00PM // SFMOMA SECA Art Award Opening Night Benefit Party
8:00PM - 10:00PM // After Hours Events
8:00PM - 10:00PM // After Hours Events
11:00AM - 5:00PM // General Admission
New Image Art is excited to announce our upcoming shows: ArtPadSF (suite 43), May 16-19thfeaturing: Retna, Chris Cascio, Tofer Chin, Misha Hollenbach, Tauba Auerbach, Cleon Peterson and more! L.A.C.E. Auction, May 21st Chad Muska, May 25th Luke Petetiller, June 22nd Surf Show, July 27 Neck Face, August 24th Space15Twenty, September 20th
Brett Cody Rogers, Fray, 2010. Gelatin silver. Print, aluminum frame, 19 1/8 x 15 7/16 in. Ed. 1 of 5 (2 AP).
Courtesy of the gallery
On going Group show, “Black & White” at New Image Art is characterized as a, “celebration of absence of color.” Collectively, yet with distinction, artists Tofer Chin, Misha Hollenbach and Brett Cody Rodgers represent works that explore on canvas the possibilities and restraints of black, white, and grayscale. Graphic repetitions, female nudes and industrial hybrid landscapes, create a depth and profoundness that, dazzle and perform. This exploration of “Black & White” is done in a manner that is so enjoyable the presence of colors and hues are hardly missed. Although presented within a group survey, each artist is best left to be observed on their own – Tofer Chin, Misha Hollenbach and Brett Cody Rodgers prove that from limitations meaningful explorations can be sustained.
Misha Hollenbach, In My Hut VII, Archival Ink on Paper, Ed.1/2
41” x 51”, 2013.
Courtesy of the gallery
Within Hollenbach’s “Hut” series, several solitary female subjects are the grounding focus within each frame. Sitting, standing, laying and kneeling, the curvature of each woman is coupled with a glossy splatter of rich black ink. Gliding over the surface in a bulbous mass, the media intersects each subject’s body and face. One piece in particular, “In my Hut IX”, 2013, utilizes this technique in a jarringly deep advantage. Upon first look the viewer is confronted with the power of this woman’s stare, unlike the others within this series whose faces are masked by the ink, eyes and stance are as provocative and confrontational as the ink that conceals her womanly curves. The subject of “Hut IX”, seems to hold a gaze from beyond the frame, magnetic and unapologetic.
Brett Cody Rogers, Raze, 2010. Gelatin Silver print, aluminum frame. 19 1/8 x 15 7/16 in. Ed. 1 of 5 (2 AP).
Courtesy of the gallery
Hollenbach’s nudes give way to a presentation of what are seemingly industrial landscapes of Brett Cody Rodgers; each frame in fact are his Grandfathers’ sculptures, photographed and collaged. One instance is “Raze”, 2010, here the structure is a cross between an Egyptian obelisk, soaring dagger shaped slabs and a Neo Bauhaus structure. The object within Raze hovers above a mirror-like pond, reflecting ad-infinitum, its angles. This reflection within the pieces is only further manifested in the aluminum frame that encompasses it all. These abstract industrial landscapes segue impeccably into the graphic repetitions of Tofer Chin.
The work of Tofer Chin is often seen as captured glimpses into a psychedelic journey of ones self. Chin’s pieces within “Black & White” resonate with this characteristic i.e. “17 Rays (black and white)”, 2012, while simultaneously presenting a departure into the foray of monochromatic. “1 Peak (white)”, 2013, is a vast canvas that hovers over and around the viewer. Presented here is a collision of black and white and the full, unbridled tension that can occur amongst these opposite spectrum hues. Cutting vertically is the centerline of impact that holds the tension of the San Andreas Fault Line; two opposing oceans with their symbolic weight on the brink of collision. “1 Peak (white)” is a confident presentation of the full potential black and white can create.
New Image Art’s “Black & White” delves into the dense terrain of the two most opposing colors in existence. The challenge is as much for the viewer as the artist: How does something so deceptively simple maintain intrigue? Quite easily in fact, this trifecta of artists proves that “absence of color,” can be a good thing.
For more information visit here.
-Contributed by Bianca Guillen
Full article can be viewed here: http://www.sfaqonline.com/2013/04/black-white-at-new-image-art-los-angeles/
Tosh saves the day!
Photo by Rosenberg
Available Swoon’s pieces. Contact New Image Art for prices, info@newimageartgallery.com